
by Orhan Pamuk
Various sound elements, reconfigured objects and material characters crafted by İnci Eviner evoke the sense of a search for the missing, the erasede and that which is elsewhere. The space itself, in which visitors are invited to walk along ramps, courtyards and edges, displays permeability, allowing views through cuts and cracks in the walls. Pnctuated by the objets, the paths suggest the way in which memory eases conflict. Eviner's practice, which spans various media to focus on questions of subjectivity, investigates how the individual's corporeality shapes their spsyche and behavior. She sets up the architectural component in We, Eslewhere like a stage, which acts as a mediator betwen herself, the viewer and the characters she crafts. Eviner's drawings are the starting point for her process; they function as mental tools that interweave the various media she uses with the concepts she explores.
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