The Six of Calais is an acting piece and nothing else. As it happened, it was so well acted that in the eighteenth century all the talk would have been about Siddons as Philippa. But the company got no thanks except from the audience: the critics were prostrated with shock, damn their eyes! I have had to improve considerably on the story as told by that absurd old snob Froissart, who believed that "to rob and pill was a good life" if the robber was at least a baron. He made a very poor job of it in my opinion.
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