
Nine-year-old Philip Carey loses his mother after his father's death and enters a household unable to replace the intimacy he has lost. In W. Somerset Maugham's Of Human Bondage, Aunt Louisa offers warmth, but Uncle William Carey's cold authority shapes the orphan's early life. Philip's club foot and sensitivity make boarding school especially isolating, and books become a way to imagine possibilities beyond the vicarage.
The expected route points toward Oxford. Philip rejects it and insists on going to Germany, beginning a pattern of testing identities through place and occupation. A later apprenticeship in London leaves him alienated from resentful coworkers; a business trip to Paris awakens an ambition to study art in France.
These choices give the autobiographical novel its coming-of-age structure without turning it into autobiography. Maugham draws on personal experience but treats Philip as an invented character whose search proceeds through education, work, travel, and repeated dissatisfaction. The early movement from England to Germany, London, and Paris shows freedom as something more difficult than escape. Each new setting loosens one bond and reveals another limit. The bildungsroman follows Philip as he tries to distinguish genuine vocation from the desire to become someone untouched by shame, dependence, or other people's plans.
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