
by Clive Barker
New Theatre Quarterly pr ovides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. The journal publishes news, analysis and debate. Articles in volume 65 include: The Present and Future of Small-Scale Theatre: the Coventry Experience; Patterns of Theatrical Education: the National Council for Drama Training Report; Theatre of the Impossible: the Creation of a Jewish Theatre; Dramaturgy according to Daedalus; Forty Years of Theatre for the Cypriot Community: George Eugeniou and Theatro Technis.
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