
To the dumb question "Why me?" the cosmos barely bothers to return the reply: why not?

Christopher Hitchens's Mortality begins with the sudden pain that struck him in a New York hotel room on June 8, 2010, during a tour for his memoir Hitch-22. The experience carried him from what he called the country of the well into the land of malady. Over the next eighteen months, as he battled esophageal cancer, illness became both an immediate physical ordeal and the subject of sustained reflection.
Hitchens continued writing until his death in Houston on December 15, 2011. He described the torments of disease, its social taboos, and the ways sickness changes a person's relationship to the surrounding world. His account refuses easy consolation. Remaining adamant in his rejection of religion, he confronts death directly and records fear, pain, anger, and other emotions produced by the cancer's advance.
The resulting work moves between intimate testimony and philosophical inquiry. Hitchens considers what happens when a body can no longer be treated as a reliable background to thought, work, and ordinary life. His lucid prose also preserves the intelligence and independence with which he approached politics and culture even under extreme pressure. Mortality is therefore not only a record of affliction but a deliberate attempt to face the unknown without surrendering judgment, language, or dignity.
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To the dumb question "Why me?" the cosmos barely bothers to return the reply: why not?
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